Leonid Pavlovich Potapov, Doctor of historical sciences, Professor, Merited Scholar of Russian Federation and Tuvinian ASSR, Laureate of Stalin and State prizes of USSR. Today marks the 106^th anniversary of the scholar's birth. The 100^th anniversary of the legendary ethnographer was celebrated modestly in 2005 - only in the narrow circle of scholars in Altai, the researcher's native country.

On 13 July, the 13^th International Festival of Live Music and Faith "Ustuu-Khuree" will open in Tuva. Among the headliners of  one of the most famous music venues of Siberia are Sainkho and Garlo (France), GenDos and Svatava Drichkova (Czech Republic), Albert Kuvezin (Tuva), Sofia (Kara-ool-Dulush and Wind Instrument Orchestra of the Government of Republic Tyva, and group "Khartyga". On the opening day, there will be horse races, dedicated to 90^th anniversary of the republic and an evening concert at Chadan stadium. The concert program will be started off by Sainkho and Garlo(?).

On 20 July in Ulan-Ude in Buryatia, there will be a performance by the prominent Tuvan group Huun-Huur-Tu at the Third international festival  "Voice of the Nomads". Baikal-Buryatia".

This group has been called the model of high taste and style, which is why the group became a world-scale star, firmly entrenched within the elite of World music of the planet.  "Novaya Buryatiya" presents an interview with Radik Tyulyush - soloist of the group, with which he has been working for six years.

The history of musical instruments stolen from Tuvan ethno-group "Alash" has not died down after their departure from the USA. The police of Albuquerque (New Mexico) offered a reward of $1000 for any information about the perpetrators and the stolen items. Today, the vice-mayor of the city, Tito Madrid notified about it the producer of the group, Sean Quirk and the Ministry of Culture of Tuva. Mr. Madrid offered apologies in the name of the mayor of Albuquerque and expressed confidence that with the help of the citizens, who are no less incensed about the incident, the stolen items will be found and returned to their owners.

Ministry of culture of Tuva announced the start of a contest to compose a new state national anthem of the republic. The decision was made today by a task-group created by the government of RT, which includes composers and culture workers of the republic. As the Minister of culture of Tuva Vyacheslav Dongak announced, the group will be accepting works for the contest until 11 July. No later than 15 July the selected alternatives of the anthem will be presented to the government of the republic for review.

In Tuva, along with celebrations of the 90^thanniversary of Tuvan Statehood, there will also be the International Felt Festival - felt is a cultic material for nomadic nations.

It will take place on 13-15 August in Kyzyl. This was annou8nced today by the Ministry of Culture of Tuva, the organizer of the celebrations.

The entire festival will be designed around felt products and the ancient craft of their manufacture.

Plenipotentiary representative office of Republic Tyva in Moscow is sending to Tuva a set of medals "For love and fidelity" of the Foundation  of Socio-cultural initiatives, headed by wife of  President of Russia, Svetlana Medvedeva,  to be given to50 Tuvan families during celebrations of the Day of the family, love and fidelity.

This Russian holiday originated thanks to Prince Petr of Murom and his wife Fevronia, who lived in 13^th century and became models of spousal fidelity, mutual love and family happiness already during their lives. This family couple is worshipped by Orthodox Christians as protectors of the family and marriage.  According to legend, Petr and Fevronia died on the same day - 25 June (8 July in new style calendar) 1228.

On 15 June, Photo-expedition "Trans-Sayany", organized by national photo-archive "Feofoto" (Leaders of the expedition: Mikhail Genis, Vadim Shtrik; scientific consultant Anastasia Veshchikova), is arriving to the Alygdzher village( Tofalar municipal unit, Nizhneudinsk district, Irkutsk region).

Alygdzher is the largest of three main settlements of Tofalaria, originating at the confluence of two rivers - Uda and Kara-Buren, in the location of former Cossack border garrison (according to Burinsk Treaty of 1727, the border between China and Russia stretched along the Udinsk mountain ridge).

-  Sainkho, if somebody addresses you as Lyudmila, will you respond?

-  Certainly not. I don't react to that name anymore. And the audience won't react either. If somebody hangs up a poster: Lyudmila Namtchylak, nobody will understand anything.

-  Why did you pick precisely this name as your stage pseudonym?

-   A woman of that name used to live in Kyzyl - Sainkho Darzhayevna Dorzhu. She was a dancer, and later, after she retired, she worked in the Union of Theatre artists.  Charming, kind, woman. I liked both her and the combination of the sounds of her rare name.

And when it became necessary to have a mysterious, exotic-sounding name which would reflect what I was doing on the stage, that is what I chose.  The process of getting used to my new name began in 1986: in Krasnodar,  they  gave me the certificate already  as Sainkho.

-  Sainkho, what is your main character trait?

-  Curiosity.

-  And being non-standard?

-  Being non-standard is more of a result.

In the West, probably, it is less conspicuous, because people are more tolerant.  To behave extravagantly or to look different from the others is not such a very noticeable thing. Artists and singers are perceived as people of a different world, and society accepts their out of the ordinary characteristics calmly.

-  Did it take a great inner effort to shave your head?

-  No. I was 43 at the time. My management was in Milan, and Milan is the Italian Mecca of fashion.  And they would design new clothing for me for every new album. And for one of the albums, they found a long cashmere dress, form-fitting, with bare shoulders. And something like a shawl that I could wrap myself in.

The result was a kind of a monk-like image, so I suggested to shave my head. And they shaved my head. As a matter of fact, it suits me very much. It is very laconic, ascetic, at that time nobody else was doing it.

So that is how I performed with the ensemble: bald head, tight dress, a sort of - not quite- shawl - something delicately lilac with a purplish tinge. It was very beautiful.